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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
A GENTLEMAN'S GUIDE TO LOVE AND MURDER (WALTER KERR) |
$656,020 | $656,020 | $90 $250 |
7,261 | 7,256 | 8 | 100.10% |
|
A RAISIN IN THE SUN (ETHEL BARRYMORE) |
$1,183,010 | $1,183,010 | $141 $348 |
8,368 | 8,368 | 8 | 100.00% |
|
ACT ONE (VIVIAN BEAUMONT) |
$454,330 | $454,330 | $72 $136 |
6,349 | 8,672 | 8 | 73.20% |
|
AFTER MIDNIGHT (BROOKS ATKINSON) |
$555,630 | $555,630 | $78 $197 |
7,096 | 8,288 | 8 | 85.60% |
|
ALADDIN (NEW AMSTERDAM) |
$1,137,093 | $1,137,093 | $82 $200 |
13,788 | 13,784 | 8 | 100.00% |
|
ALL THE WAY (NEIL SIMON) |
$1,045,860 | $1,045,860 | $115 $225 |
9,059 | 8,532 | 6 | 106.20% |
|
BEAUTIFUL (STEPHEN SONDHEIM) |
$1,063,319 | $1,063,319 | $129 $275 |
8,272 | 8,208 | 8 | 100.80% |
|
BULLETS OVER BROADWAY (ST. JAMES) |
$925,374 | $925,374 | $92 $252 |
10,071 | 13,040 | 8 | 77.20% |
|
CABARET (STUDIO 54) |
$735,777 | $735,777 | $108 $162 |
6,817 | 7,096 | 8 | 96.10% |
|
CASA VALENTINA (FRIEDMAN) |
$272,793 | $272,793 | $65 $125 |
4,174 | 5,152 | 8 | 81.00% |
|
CHICAGO (AMBASSADOR) |
$536,505 | $536,505 | $86 $186 |
6,231 | 8,640 | 8 | 72.10% |
|
CINDERELLA (BROADWAY) |
$713,599 | $713,599 | $76 $297 |
9,420 | 14,008 | 8 | 67.20% |
|
HEDWIG AND THE ANGRY INCH (BELASCO) |
$983,206 | $983,206 | $136 $248 |
7,214 | 7,049 | 7 | 102.30% |
|
IF/THEN (RICHARD RODGERS) |
$812,712 | $812,712 | $95 $223 |
8,547 | 10,488 | 8 | 81.50% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
JERSEY BOYS (AUGUST WILSON) |
$776,136 | $776,136 | $99 $237 |
7,808 | 9,824 | 8 | 79.50% |
|
KINKY BOOTS (AL HIRSCHFELD) |
$1,514,754 | $1,514,754 | $134 $349 |
11,307 | 11,392 | 8 | 99.30% |
|
LADY DAY AT EMERSON'S BAR & GRILL (CIRCLE IN THE SQUARE) |
$540,517 | $540,517 | $115 $300 |
4,696 | 4,774 | 7 | 98.40% |
|
LES MISÉRABLES (IMPERIAL) |
$1,123,088 | $1,123,088 | $105 $273 |
10,698 | 11,272 | 8 | 94.90% |
|
MAMMA MIA! (BROADHURST) |
$667,885 | $667,885 | $86 $225 |
7,784 | 9,328 | 8 | 83.40% |
|
MATILDA (SHUBERT) |
$930,186 | $930,186 | $89 $250 |
10,404 | 11,456 | 8 | 90.80% |
|
MOTHERS AND SONS (GOLDEN) |
$198,925 | $198,925 | $71 $225 |
2,815 | 6,416 | 8 | 43.90% |
|
MOTOWN THE MUSICAL (LUNT-FONTANNE) |
$1,124,866 | $1,124,866 | $104 $250 |
10,854 | 12,056 | 8 | 90.00% |
|
NEWSIES (NEDERLANDER) |
$588,306 | $588,306 | $73 $199 |
8,084 | 9,480 | 8 | 85.30% |
|
OF MICE AND MEN (LONGACRE) |
$875,771 | $875,771 | $103 $223 |
8,463 | 8,584 | 8 | 98.60% |
|
ONCE (JACOBS) |
$490,998 | $490,998 | $85 $198 |
5,781 | 8,472 | 8 | 68.20% |
|
PIPPIN (MUSIC BOX) |
$598,091 | $598,091 | $89 $225 |
6,684 | 7,920 | 8 | 84.40% |
|
ROCK OF AGES (HELEN HAYES) |
$330,603 | $330,603 | $82 $197 |
4,045 | 4,664 | 8 | 86.70% |
|
ROCKY (WINTER GARDEN) |
$742,525 | $742,525 | $82 $248 |
9,098 | 12,128 | 8 | 75.00% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$1,673,283 | $1,673,283 | $191 $477 |
8,752 | 8,528 | 8 | 102.60% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE BRIDGES OF MADISON COUNTY (SCHOENFELD) |
$590,791 | $590,791 | $74 $223 |
8,015 | 8,152 | 8 | 98.30% |
|
THE CRIPPLE OF INISHMAAN (CORT) |
$563,894 | $563,894 | $87 $248 |
6,514 | 8,584 | 8 | 75.90% |
|
THE LION KING (MINSKOFF) |
$1,896,455 | $1,896,455 | $140 $198 |
13,530 | 13,600 | 8 | 99.50% |
|
THE PHANTOM OF THE OPERA (MAJESTIC) |
$962,919 | $962,919 | $83 $200 |
11,656 | 12,840 | 8 | 90.80% |
|
THE REALISTIC JONESES (LYCEUM) |
$590,378 | $590,378 | $93 $223 |
6,360 | 6,976 | 8 | 91.20% |
|
VIOLET (AMERICAN AIRLINES) |
$403,042 | $403,042 | $77 $142 |
5,226 | 5,872 | 8 | 89.00% |
|
WICKED (GERSHWIN) |
$1,755,218 | $1,755,218 | $117 $300 |
15,036 | 15,424 | 8 | 97.50% |
| TOTAL | $30,013,859 | $833,718 | $101.30 $237.01 |
296,277 | 336,323 | 284 | 88.09% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
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