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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
A BRONX TALE THE MUSICAL (LONGACRE) |
$751,490 | $751,490 | $106 $275 |
7,121 | 8,352 | 8 | 85.30% |
|
A DOLL'S HOUSE, PART 2 (GOLDEN) |
$276,160 | $276,160 | $53 $273 |
5,187 | 6,200 | 8 | 83.70% |
|
ALADDIN (NEW AMSTERDAM) |
$1,388,432 | $1,388,432 | $105 $228 |
13,220 | 13,816 | 8 | 95.70% |
|
AMÉLIE (WALTER KERR) |
$353,443 | $353,443 | $70 $273 |
5,014 | 7,416 | 8 | 67.60% |
|
ANASTASIA (BROADHURST) |
$1,062,556 | $1,062,556 | $118 $350 |
8,993 | 9,144 | 8 | 98.30% |
|
BANDSTAND (JACOBS) |
$535,243 | $535,243 | $92 $227 |
5,817 | 8,264 | 8 | 70.40% |
|
BEAUTIFUL (STEPHEN SONDHEIM) |
$839,287 | $839,287 | $115 $249 |
7,271 | 8,208 | 8 | 88.60% |
|
CATS (NEIL SIMON) |
$669,519 | $669,519 | $86 $197 |
7,821 | 11,000 | 8 | 71.10% |
|
CHARLIE AND THE CHOCOLATE FACTORY (LUNT-FONTANNE) |
$1,165,443 | $1,165,443 | $103 $233 |
11,361 | 11,968 | 8 | 94.90% |
|
CHICAGO (AMBASSADOR) |
$592,784 | $592,784 | $84 $187 |
7,046 | 8,640 | 8 | 81.60% |
|
COME FROM AWAY (SCHOENFELD) |
$1,098,080 | $1,098,080 | $129 $297 |
8,521 | 8,368 | 8 | 101.80% |
|
DEAR EVAN HANSEN (MUSIC BOX) |
$1,296,755 | $1,296,755 | $162 $397 |
7,988 | 7,872 | 8 | 101.50% |
|
GROUNDHOG DAY (AUGUST WILSON) |
$823,512 | $823,512 | $95 $375 |
8,629 | 9,824 | 8 | 87.80% |
|
HAMILTON (RICHARD RODGERS) |
$3,141,642 | $3,141,642 | $292 $849 |
10,754 | 10,568 | 8 | 101.80% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
HELLO, DOLLY! (SHUBERT) |
$1,963,963 | $1,963,963 | $191 $748 |
10,257 | 9,989 | 7 | 102.70% |
|
INDECENT (CORT) |
$254,338 | $254,338 | $56 $197 |
4,538 | 8,584 | 8 | 52.90% |
|
KINKY BOOTS (AL HIRSCHFELD) |
$693,699 | $693,699 | $83 $249 |
8,331 | 11,392 | 8 | 73.10% |
|
MISS SAIGON (BROADWAY) |
$916,050 | $916,050 | $91 $248 |
10,058 | 13,896 | 8 | 72.40% |
|
NATASHA, PIERRE & THE GREAT COMET OF 1812 (IMPERIAL) |
$875,723 | $875,723 | $102 $267 |
8,575 | 9,104 | 8 | 94.20% |
|
ON YOUR FEET! (MARQUIS) |
$624,338 | $624,338 | $83 $199 |
7,485 | 13,008 | 8 | 57.50% |
|
OSLO (VIVIAN BEAUMONT) |
$692,653 | $692,653 | $94 $223 |
7,369 | 8,376 | 8 | 88.00% |
|
PRESENT LAUGHTER (ST. JAMES) |
$753,368 | $753,368 | $90 $350 |
8,334 | 11,176 | 8 | 74.60% |
|
SCHOOL OF ROCK (WINTER GARDEN) |
$702,688 | $702,688 | $85 $248 |
8,289 | 12,184 | 8 | 68.00% |
|
SIX DEGREES OF SEPARATION (ETHEL BARRYMORE) |
$399,523 | $399,523 | $75 $197 |
5,304 | 8,416 | 8 | 63.00% |
|
SUNSET BOULEVARD (PALACE) |
$1,161,015 | $1,161,015 | $127 $297 |
9,165 | 11,753 | 7 | 78.00% |
|
SWEAT (STUDIO 54) |
$314,734 | $314,734 | $69 $199 |
4,561 | 5,272 | 8 | 86.50% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$1,213,266 | $1,213,266 | $140 $477 |
8,675 | 8,528 | 8 | 101.70% |
|
THE GLASS MENAGERIE (BELASCO) |
$269,537 | $269,537 | $52 $273 |
5,176 | 7,944 | 8 | 65.20% |
|
THE LION KING (MINSKOFF) |
$1,950,008 | $1,950,008 | $145 $225 |
13,470 | 13,568 | 8 | 99.30% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE LITTLE FOXES (FRIEDMAN) |
$456,576 | $456,576 | $90 $179 |
5,057 | 5,200 | 8 | 97.30% |
|
THE PHANTOM OF THE OPERA (MAJESTIC) |
$952,406 | $952,406 | $87 $203 |
10,969 | 12,840 | 8 | 85.40% |
|
THE PLAY THAT GOES WRONG (LYCEUM) |
$348,273 | $348,273 | $72 $197 |
4,842 | 6,832 | 8 | 70.90% |
|
THE PRICE (AMERICAN AIRLINES) |
$645,810 | $645,810 | $109 $250 |
5,917 | 5,920 | 8 | 99.90% |
|
WAITRESS (BROOKS ATKINSON) |
$1,183,018 | $1,183,018 | $149 $270 |
7,918 | 8,360 | 8 | 94.70% |
|
WAR PAINT (NEDERLANDER) |
$958,063 | $958,063 | $112 $248 |
8,524 | 9,344 | 8 | 91.20% |
|
WICKED (GERSHWIN) |
$1,539,527 | $1,539,527 | $117 $240 |
13,161 | 14,456 | 8 | 91.00% |
| TOTAL | $32,862,922 | $912,859 | $113.04 $288.71 |
290,718 | 345,782 | 286 | 84.08% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
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