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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
ANYTHING GOES (STEPHEN SONDHEIM) |
$698,453 | $698,453 | $86 $137 |
8,110 | 8,208 | 8 | 98.80% |
|
ARCADIA (ETHEL BARRYMORE) |
$241,856 | $241,856 | $63 $225 |
3,853 | 8,280 | 8 | 46.50% |
|
BABY IT'S YOU! (BROADHURST) |
$462,640 | $462,640 | $62 $175 |
7,499 | 9,216 | 8 | 81.40% |
|
BENGAL TIGER AT THE BAGDHAD ZOO (RICHARD RODGERS) |
$437,657 | $437,657 | $88 $300 |
4,951 | 10,848 | 8 | 45.60% |
|
BILLY ELLIOT: THE MUSICAL (IMPERIAL) |
$876,871 | $876,871 | $86 $199 |
10,155 | 11,368 | 8 | 89.30% |
|
BORN YESTERDAY (CORT) |
$218,131 | $218,131 | $56 $225 |
3,873 | 8,632 | 8 | 44.90% |
|
CATCH ME IF YOU CAN (NEIL SIMON) |
$732,580 | $732,580 | $74 $200 |
9,882 | 11,376 | 8 | 86.90% |
|
CHICAGO (AMBASSADOR) |
$609,623 | $609,623 | $81 $185 |
7,525 | 8,640 | 8 | 87.10% |
|
GHETTO KLOWN (LYCEUM) |
$308,002 | $308,002 | $77 $225 |
3,993 | 5,532 | 6 | 72.20% |
|
GOOD PEOPLE (FRIEDMAN) |
$433,459 | $433,459 | $84 $130 |
5,168 | 5,200 | 8 | 99.40% |
|
HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING (AL HIRSCHFELD) |
$936,036 | $936,036 | $90 $302 |
10,443 | 11,392 | 8 | 91.70% |
|
JERSEY BOYS (AUGUST WILSON) |
$1,006,650 | $1,006,650 | $110 $350 |
9,171 | 9,824 | 8 | 93.40% |
|
JERUSALEM (MUSIC BOX) |
$458,825 | $458,825 | $76 $225 |
6,058 | 7,984 | 8 | 75.90% |
|
LOMBARDI (CIRCLE IN THE SQUARE) |
$148,752 | $148,752 | $48 $200 |
3,086 | 6,320 | 8 | 48.80% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
MAMMA MIA! (WINTER GARDEN) |
$865,824 | $865,824 | $85 $200 |
10,195 | 11,984 | 8 | 85.10% |
|
MARY POPPINS (NEW AMSTERDAM) |
$821,750 | $821,750 | $73 $177 |
11,326 | 14,376 | 8 | 78.80% |
|
MEMPHIS (SHUBERT) |
$793,627 | $793,627 | $78 $250 |
10,147 | 11,760 | 8 | 86.30% |
|
MILLION DOLLAR QUARTET (NEDERLANDER) |
$316,247 | $316,247 | $63 $250 |
5,051 | 9,712 | 8 | 52.00% |
|
PRISCILLA QUEEN OF THE DESERT (PALACE) |
$882,361 | $882,361 | $93 $200 |
9,505 | 13,512 | 8 | 70.30% |
|
RAIN: A TRIBUTE TO THE BEATLES ON BROADWAY (BROOKS ATKINSON) |
$288,356 | $288,356 | $59 $225 |
4,906 | 8,464 | 8 | 58.00% |
|
ROCK OF AGES (HELEN HAYES) |
$305,235 | $305,235 | $75 $175 |
4,060 | 4,664 | 8 | 87.00% |
|
SISTER ACT (BROADWAY) |
$854,730 | $854,730 | $75 $200 |
11,353 | 11,896 | 8 | 95.40% |
|
THAT CHAMPIONSHIP SEASON (JACOBS) |
$412,238 | $412,238 | $77 $225 |
5,360 | 8,568 | 8 | 62.60% |
|
THE ADDAMS FAMILY (LUNT-FONTANNE) |
$487,977 | $487,977 | $73 $300 |
6,678 | 12,152 | 8 | 55.00% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$1,129,867 | $1,129,867 | $129 $252 |
8,736 | 8,528 | 8 | 102.40% |
|
THE HOUSE OF BLUE LEAVES (WALTER KERR) |
$601,733 | $601,733 | $84 $275 |
7,172 | 7,528 | 8 | 95.30% |
|
THE IMPORTANCE OF BEING EARNEST (AMERICAN AIRLINES) |
$225,329 | $225,329 | $65 $122 |
3,464 | 5,920 | 8 | 58.50% |
|
THE LION KING (MINSKOFF) |
$1,601,654 | $1,601,654 | $119 $250 |
13,421 | 13,416 | 8 | 100.00% |
|
THE MOTHERF**KER WITH THE HAT (SCHOENFELD) |
$631,787 | $631,787 | $86 $275 |
7,371 | 8,568 | 8 | 86.00% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE NORMAL HEART (GOLDEN) |
$246,447 | $246,447 | $46 $198 |
5,363 | 6,432 | 8 | 83.40% |
|
THE PEOPLE IN THE PICTURE (STUDIO 54) |
$218,194 | $218,194 | $45 $122 |
4,854 | 7,976 | 8 | 60.90% |
|
THE PHANTOM OF THE OPERA (MAJESTIC) |
$877,716 | $877,716 | $77 $200 |
11,466 | 12,920 | 8 | 88.70% |
|
WAR HORSE (VIVIAN BEAUMONT) |
$884,015 | $884,015 | $103 $125 |
8,553 | 8,552 | 8 | 100.00% |
|
WICKED (GERSHWIN) |
$1,599,916 | $1,599,916 | $112 $300 |
14,277 | 14,472 | 8 | 98.70% |
|
WONDERLAND (MARQUIS) |
$511,446 | $511,446 | $59 $200 |
8,738 | 12,896 | 8 | 67.80% |
| TOTAL | $22,125,984 | $632,171 | $83.25 $217.11 |
265,763 | 337,116 | 278 | 78.83% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
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