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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
AIN'T TOO PROUD (IMPERIAL) |
$1,330,046 | $1,330,046 | $119 $247 |
11,176 | 11,392 | 8 | 98.10% |
|
ALADDIN (NEW AMSTERDAM) |
$1,458,902 | $1,458,902 | $106 $228 |
13,751 | 13,816 | 8 | 99.50% |
|
ANASTASIA (BROADHURST) |
$1,012,316 | $1,012,316 | $116 $348 |
8,744 | 9,144 | 8 | 95.60% |
|
BE MORE CHILL (LYCEUM) |
$713,254 | $713,254 | $111 $248 |
6,445 | 7,128 | 8 | 90.40% |
|
BEAUTIFUL (STEPHEN SONDHEIM) |
$590,930 | $590,930 | $93 $247 |
6,370 | 8,208 | 8 | 77.60% |
|
BEETLEJUICE (WINTER GARDEN) |
$332,008 | $332,008 | $123 $298 |
2,700 | 2,700 | 2 | 100.00% |
|
BURN THIS (HUDSON) |
$913,342 | $913,342 | $124 $325 |
7,374 | 7,552 | 8 | 97.60% |
|
CHICAGO (AMBASSADOR) |
$592,228 | $592,228 | $83 $187 |
7,132 | 8,640 | 8 | 82.50% |
|
COME FROM AWAY (SCHOENFELD) |
$1,023,326 | $1,023,326 | $120 $297 |
8,537 | 8,368 | 8 | 102.00% |
|
DEAR EVAN HANSEN (MUSIC BOX) |
$1,379,358 | $1,379,358 | $173 $348 |
7,991 | 7,872 | 8 | 101.50% |
|
FROZEN (ST. JAMES) |
$1,356,366 | $1,356,366 | $102 $200 |
13,235 | 13,472 | 8 | 98.20% |
|
GARY: A SEQUEL TO TITUS ANDRONICUS (BOOTH) |
$433,909 | $433,909 | $73 $273 |
5,905 | 6,160 | 8 | 95.90% |
|
HADESTOWN (WALTER KERR) |
$734,908 | $734,908 | $102 $399 |
7,192 | 7,344 | 8 | 97.90% |
|
HAMILTON (RICHARD RODGERS) |
$3,237,554 | $3,237,554 | $301 $849 |
10,756 | 10,568 | 8 | 101.80% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO (LYRIC) |
$1,825,772 | $1,825,772 | $141 $297 |
12,976 | 12,976 | 8 | 100.00% |
|
HILLARY AND CLINTON (GOLDEN) |
$434,350 | $434,350 | $73 $297 |
5,923 | 6,296 | 8 | 94.10% |
|
KING KONG (BROADWAY) |
$788,044 | $788,044 | $75 $347 |
10,529 | 13,904 | 8 | 75.70% |
|
KING LEAR (CORT) |
$507,528 | $507,528 | $77 $273 |
6,598 | 7,343 | 7 | 89.90% |
|
KINKY BOOTS (AL HIRSCHFELD) |
$1,041,820 | $1,041,820 | $99 $249 |
10,554 | 11,392 | 8 | 92.60% |
|
KISS ME, KATE (STUDIO 54) |
$751,826 | $751,826 | $97 $350 |
7,745 | 7,984 | 8 | 97.00% |
|
MEAN GIRLS (AUGUST WILSON) |
$1,300,736 | $1,300,736 | $133 $300 |
9,746 | 9,800 | 8 | 99.40% |
|
MY FAIR LADY (VIVIAN BEAUMONT) |
$747,442 | $747,442 | $104 $323 |
7,213 | 8,552 | 8 | 84.30% |
|
NETWORK (BELASCO) |
$1,045,591 | $1,045,591 | $147 $373 |
7,117 | 7,105 | 7 | 100.20% |
|
OKLAHOMA! (CIRCLE IN THE SQUARE) |
$537,287 | $537,287 | $102 $250 |
5,258 | 5,184 | 8 | 101.40% |
|
PRETTY WOMAN: THE MUSICAL (NEDERLANDER) |
$766,890 | $766,890 | $101 $275 |
7,595 | 9,344 | 8 | 81.30% |
|
THE BAND'S VISIT (ETHEL BARRYMORE) |
$665,646 | $665,646 | $89 $247 |
7,515 | 8,312 | 8 | 90.40% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$1,057,792 | $1,057,792 | $123 $478 |
8,622 | 8,376 | 8 | 102.90% |
|
THE CHER SHOW (NEIL SIMON) |
$872,977 | $872,977 | $101 $247 |
8,611 | 11,040 | 8 | 78.00% |
|
THE FERRYMAN (JACOBS) |
$571,280 | $571,280 | $95 $223 |
6,039 | 8,152 | 8 | 74.10% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE LION KING (MINSKOFF) |
$2,158,754 | $2,158,754 | $159 $225 |
13,568 | 13,568 | 8 | 100.00% |
|
THE PHANTOM OF THE OPERA (MAJESTIC) |
$1,068,680 | $1,068,680 | $89 $213 |
12,074 | 12,840 | 8 | 94.00% |
|
THE PROM (LONGACRE) |
$580,102 | $580,102 | $84 $297 |
6,927 | 8,360 | 8 | 82.90% |
|
TO KILL A MOCKINGBIRD (SHUBERT) |
$1,718,215 | $1,718,215 | $148 $497 |
11,643 | 11,480 | 8 | 101.40% |
|
TOOTSIE (MARQUIS) |
$354,746 | $354,746 | $111 $247 |
3,204 | 3,260 | 2 | 98.30% |
|
WAITRESS (BROOKS ATKINSON) |
$716,454 | $716,454 | $97 $270 |
7,354 | 8,360 | 8 | 88.00% |
|
WHAT THE CONSTITUTION MEANS TO ME (HAYES) |
$276,611 | $276,611 | $69 $197 |
4,017 | 4,081 | 7 | 98.40% |
|
WICKED (GERSHWIN) |
$1,925,972 | $1,925,972 | $125 $240 |
15,377 | 15,408 | 8 | 99.80% |
| TOTAL | $36,822,965 | $995,215 | $117.45 $302.86 |
313,513 | 335,481 | 281 | 93.45% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
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