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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
AMERICAN IDIOT (ST. JAMES) |
$474,804 | $474,804 | $57 $250 |
8,336 | 13,672 | 8 | 61.00% |
|
ANYTHING GOES (STEPHEN SONDHEIM) |
$571,560 | $571,560 | $71 $137 |
8,051 | 8,208 | 8 | 98.10% |
|
ARCADIA (ETHEL BARRYMORE) |
$518,645 | $518,645 | $72 $225 |
7,183 | 8,280 | 8 | 86.80% |
|
BABY IT'S YOU! (BROADHURST) |
$73,130 | $73,130 | $69 $175 |
1,060 | 1,152 | 1 | 92.00% |
|
BENGAL TIGER AT THE BAGDHAD ZOO (RICHARD RODGERS) |
$556,666 | $556,666 | $68 $300 |
8,140 | 10,848 | 8 | 75.00% |
|
BILLY ELLIOT: THE MUSICAL (IMPERIAL) |
$971,957 | $971,957 | $86 $199 |
11,320 | 11,368 | 8 | 99.60% |
|
CATCH ME IF YOU CAN (NEIL SIMON) |
$630,207 | $630,207 | $68 $200 |
9,335 | 9,954 | 7 | 93.80% |
|
CHICAGO (AMBASSADOR) |
$551,844 | $551,844 | $77 $185 |
7,144 | 8,640 | 8 | 82.70% |
|
DRIVING MISS DAISY (GOLDEN) |
$406,629 | $406,629 | $88 $300 |
4,597 | 5,628 | 7 | 81.70% |
|
GHETTO KLOWN (LYCEUM) |
$322,533 | $322,533 | $67 $225 |
4,801 | 5,532 | 6 | 86.80% |
|
GOOD PEOPLE (FRIEDMAN) |
$384,821 | $384,821 | $74 $126 |
5,184 | 5,200 | 8 | 99.70% |
|
HIGH (BOOTH) |
$58,791 | $58,791 | $31 $250 |
1,927 | 3,120 | 4 | 61.80% |
|
HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING (AL HIRSCHFELD) |
$746,872 | $746,872 | $65 $302 |
11,446 | 11,392 | 8 | 100.50% |
|
JERSEY BOYS (AUGUST WILSON) |
$1,011,357 | $1,011,357 | $109 $350 |
9,265 | 9,824 | 8 | 94.30% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
LA CAGE AUX FOLLES 2010-2011 (LONGACRE) |
$321,261 | $321,261 | $53 $250 |
6,014 | 8,456 | 8 | 71.10% |
|
LOMBARDI (CIRCLE IN THE SQUARE) |
$252,334 | $252,334 | $63 $200 |
4,017 | 6,320 | 8 | 63.60% |
|
MAMMA MIA! (WINTER GARDEN) |
$709,895 | $709,895 | $78 $200 |
9,053 | 11,984 | 8 | 75.50% |
|
MARY POPPINS (NEW AMSTERDAM) |
$909,660 | $909,660 | $71 $177 |
12,838 | 14,376 | 8 | 89.30% |
|
MEMPHIS (SHUBERT) |
$821,504 | $821,504 | $78 $250 |
10,553 | 11,760 | 8 | 89.70% |
|
MILLION DOLLAR QUARTET (NEDERLANDER) |
$420,527 | $420,527 | $73 $250 |
5,783 | 9,712 | 8 | 59.50% |
|
PRISCILLA QUEEN OF THE DESERT (PALACE) |
$962,163 | $962,163 | $81 $200 |
11,925 | 13,512 | 8 | 88.30% |
|
RAIN: A TRIBUTE TO THE BEATLES ON BROADWAY (BROOKS ATKINSON) |
$363,145 | $363,145 | $64 $225 |
5,647 | 8,464 | 8 | 66.70% |
|
ROCK OF AGES (HELEN HAYES) |
$254,808 | $254,808 | $86 $175 |
2,973 | 3,498 | 6 | 85.00% |
|
SISTER ACT (BROADWAY) |
$291,811 | $291,811 | $65 $200 |
4,462 | 4,461 | 3 | 100.00% |
|
SPIDER-MAN TURN OFF THE DARK (FOXWOODS) |
$1,517,600 | $1,517,600 | $103 $275 |
14,670 | 15,440 | 8 | 95.00% |
|
THAT CHAMPIONSHIP SEASON (JACOBS) |
$620,774 | $620,774 | $94 $225 |
6,639 | 8,568 | 8 | 77.50% |
|
THE ADDAMS FAMILY (LUNT-FONTANNE) |
$686,549 | $686,549 | $80 $300 |
8,621 | 12,152 | 8 | 70.90% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$624,456 | $624,456 | $82 $252 |
7,604 | 7,462 | 7 | 101.90% |
|
THE IMPORTANCE OF BEING EARNEST (AMERICAN AIRLINES) |
$321,398 | $321,398 | $78 $122 |
4,105 | 5,920 | 8 | 69.30% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE LION KING (MINSKOFF) |
$1,577,631 | $1,577,631 | $119 $250 |
13,281 | 13,416 | 8 | 99.00% |
|
THE MOTHERF**KER WITH THE HAT (SCHOENFELD) |
$290,280 | $290,280 | $59 $275 |
4,926 | 7,497 | 7 | 65.70% |
|
THE PHANTOM OF THE OPERA (MAJESTIC) |
$962,081 | $962,081 | $79 $200 |
12,188 | 12,920 | 8 | 94.30% |
|
WAR HORSE (VIVIAN BEAUMONT) |
$633,752 | $633,752 | $85 $115 |
7,476 | 7,476 | 7 | 100.00% |
|
WICKED (GERSHWIN) |
$1,627,422 | $1,627,422 | $112 $300 |
14,472 | 14,472 | 8 | 100.00% |
|
WONDERLAND (MARQUIS) |
$588,153 | $588,153 | $49 $200 |
12,103 | 12,896 | 8 | 93.90% |
| TOTAL | $22,037,020 | $629,629 | $79.52 $224.70 |
277,139 | 323,580 | 255 | 85.65% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
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