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Broadway Grosses by Year - 1999


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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.

Attendance Percentage - This Week

SHOW Total Gross Avg. Gross Avg / Top Ticket Seats
Sold
Total
Seats
Perf. Avg. %
THE LION KING
(NEW AMSTERDAM)
$45,592,394 $876,777 $61
$95
744,018 733,953 417 101.37%
THE ICEMAN COMETH
(BROOKS ATKINSON)
$8,200,517 $512,532 $71
$100
115,256 114,352 112 100.81%
THE BLUE ROOM
(CORT)
$3,444,061 $382,673 $48
$60
72,405 72,012 68 100.54%
AMY'S VIEW
(ETHEL BARRYMORE)
$5,911,176 $369,448 $50
$65
117,926 126,040 115 93.41%
NIGHT MUST FALL
(HELEN HAYES)
$2,927,757 $146,388 $37
$65
81,461 119,492 159 68.64%
BRING IN DA NOISE BRING IN DA FUNK
(AMBASSADOR)
$856,345 $428,172 $50
$85
17,062 17,024 16 100.20%
JACKIE MASON: MUCH ADO ABOUT EVERYTHING
(Golden)
$890,419 $148,403 $48
$65
18,421 19,074 33 96.75%
FOOL MOON
(BROOKS ATKINSON)
$385,125 $385,125 $48
$70
8,070 8,320 8 97.00%
NOT ABOUT NIGHTINGALES
(CIRCLE)
$2,465,086 $136,949 $42
$65
59,027 77,418 138 76.14%
ELECTRA
(ETHEL BARRYMORE)
$3,217,370 $268,114 $44
$60
72,884 94,482 87 76.59%
THE SOUND OF MUSIC
(MARTIN BECK)
$11,066,431 $442,657 $50
$80
224,056 286,680 200 78.14%
THE LION IN WINTER
(CRITERION)
$2,099,821 $139,988 $41
$60
51,829 57,385 115 90.31%
SWAN LAKE
(NEIL SIMON)
$1,609,612 $402,403 $46
$75
34,947 42,112 32 83.00%
KISS ME KATE
(MARTIN BECK)
$5,075,878 $563,986 $58
$80
86,590 102,384 72 84.58%
SHOW Total Gross Avg. Gross Avg / Top Ticket Seats
Sold
Total
Seats
Perf. Avg. %
TITANIC
(LUNT-FONTANNE)
$4,994,084 $384,160 $42
$100
118,144 153,400 104 77.01%
RENT
(NEDERLANDER)
$23,389,936 $449,806 $55
$100
426,246 491,296 416 86.76%
LITTLE ME
(CRITERION)
$1,193,081 $198,847 $56
$75
21,456 23,952 48 89.57%
ART
(ROYALE)
$8,282,004 $258,813 $41
$60
202,769 273,360 255 74.18%
VIA DOLOROSA
(BOOTH)
$1,751,272 $116,751 $31
$55
55,886 87,210 114 63.37%
I'M STILL HERE...DAMN IT!
(BOOTH)
$186,027 $186,027 $47
$75
3,944 4,686 6 84.20%
YOU'RE A GOOD MAN CHARLIE BROWN
(AMBASSADOR)
$3,630,774 $172,894 $43
$75
84,237 178,808 163 46.90%
ON THE TOWN 1988
(GERSHWIN)
$1,131,481 $377,160 $36
$80
31,750 45,672 24 69.50%
PETER PAN
(GERSHWIN)
$10,218,898 $464,495 $41
$75
247,843 333,970 174 74.20%
CABARET
(STUDIO 54)
$25,844,066 $497,001 $71
$125
364,968 382,720 416 95.35%
BEAUTY AND THE BEAST
(LUNT-FONTANNE)
$25,855,128 $601,282 $54
$85
475,915 579,242 341 82.50%
THE PHANTOM OF THE OPERA
(MAJESTIC)
$34,537,535 $664,183 $59
$85
588,898 668,576 416 88.09%
FOSSE
(BROADHURST)
$30,959,368 $595,372 $67
$95
459,594 473,515 415 97.10%
PARADE
(VIVIAN BEAUMONT)
$2,359,575 $262,175 $42
$100
56,098 78,480 72 71.49%
LES MISÉRABLES - ORIGINAL
(IMPERIAL)
$24,190,002 $465,192 $47
$85
515,648 589,440 416 87.47%
SHOW Total Gross Avg. Gross Avg / Top Ticket Seats
Sold
Total
Seats
Perf. Avg. %
SATURDAY NIGHT FEVER
(MINSKOFF)
$9,750,139 $750,011 $62
$90
158,798 175,344 104 90.56%
ANNIE GET YOUR GUN
(MARQUIS)
$31,819,257 $677,005 $60
$75
533,844 599,720 376 89.01%
RAGTIME 1997-2000
(FORD CENTER)
$33,363,835 $641,612 $50
$95
664,614 755,604 417 87.93%
CHICAGO
(SHUBERT)
$30,133,439 $579,489 $60
$150
499,617 605,900 415 82.42%
DAME EDNA: THE ROYAL TOUR
(BOOTH)
$3,360,936 $224,062 $43
$65
76,380 91,800 120 83.21%
THE BEAUTY QUEEN OF LEENANE
(WALTER KERR)
$2,138,642 $194,422 $37
$75
58,304 83,336 88 69.95%
THE RAINMAKER
(BROOKS ATKINSON)
$2,430,507 $243,051 $37
$65
65,167 77,844 78 83.94%
THE CIVIL WAR
(ST. JAMES)
$3,524,775 $293,731 $43
$75
81,971 163,008 96 50.29%
THE GERSHWINS' FASCINATING RHYTHM
(LONGACRE)
$970,692 $161,782 $37
$75
26,455 47,476 44 54.07%
THE WEIR
(WALTER KERR)
$6,874,875 $190,969 $38
$60
179,837 271,789 287 66.20%
MARIE CHRISTINE
(VIVIAN BEAUMONT)
$2,361,041 $262,338 $42
$75
56,859 70,488 66 80.79%
CLOSER
(MUSIC BOX)
$5,318,897 $221,621 $40
$60
131,326 190,701 189 68.99%
MORNING NOON AND NIGHT
(VIVIAN BEAUMONT)
$407,930 $45,326 $32
$45
12,860 17,088 16 72.68%
CATS
(WINTER GARDEN)
$19,468,213 $374,389 $47
$75
413,319 616,512 416 67.04%
MINNELLI ON MINNELLI
(PALACE)
$1,919,333 $479,833 $89
$125
22,175 33,117 19 66.57%
SHOW Total Gross Avg. Gross Avg / Top Ticket Seats
Sold
Total
Seats
Perf. Avg. %
FOOTLOOSE
(RICHARD RODGERS)
$22,236,973 $427,634 $49
$100
454,772 562,116 417 80.87%
RING ROUND THE MOON
(BELASCO)
$1,282,880 $98,683 $27
$55
47,453 97,970 97 48.25%
AMADEUS
(MUSIC BOX)
$629,562 $209,854 $48
$70
13,161 22,839 23 57.73%
SWING!
(ST. JAMES)
$2,605,280 $325,660 $35
$75
75,466 109,440 64 68.95%
BAND IN BERLIN
(HELEN HAYES)
$383,380 $76,676 $37
$65
10,438 21,168 36 50.58%
JEKYLL AND HYDE
(PLYMOUTH)
$19,483,905 $374,690 $54
$85
363,202 441,592 415 82.21%
SIDE MAN
(Golden)
$6,105,133 $138,753 $34
$60
180,336 283,360 352 63.64%
JAMES JOYCE'S THE DEAD
(BELASCO)
$396,587 $198,294 $45
$75
8,826 15,936 16 55.40%
WAITING IN THE WINGS
(WALTER KERR)
$1,235,253 $308,813 $63
$70
19,553 27,463 29 72.13%
PUTTING IT TOGETHER
(ETHEL BARRYMORE)
$2,977,622 $330,847 $58
$85
51,201 65,760 60 78.30%
MISS SAIGON
(BROADWAY)
$24,178,896 $464,979 $44
$85
546,035 725,088 416 75.30%
MARLENE
(CORT)
$681,313 $136,263 $32
$60
21,342 43,160 40 49.46%
VOICES IN THE DARK
(LONGACRE)
$1,245,034 $113,185 $30
$60
42,090 86,880 80 50.66%
KAT AND THE KINGS
(CORT)
$3,206,756 $152,703 $36
$75
89,528 177,776 164 50.25%
The Price 1999-2000
(ROYALE)
$1,224,282 $136,031 $32
$65
38,379 73,304 68 51.70%
SHOW Total Gross Avg. Gross Avg / Top Ticket Seats
Sold
Total
Seats
Perf. Avg. %
THE SCARLET PIMPERNEL
(NEIL SIMON)
$15,099,250 $397,349 $46
$100
336,848 470,344 300 70.12%
EPIC PROPORTIONS
(HELEN HAYES)
$1,317,751 $87,850 $36
$65
36,214 71,640 120 50.56%
THE LONESOME WEST
(LYCEUM)
$619,334 $77,417 $31
$60
20,296 59,136 64 34.33%
TANGO ARGENTINO
(GERSHWIN)
$1,361,305 $194,472 $40
$131
40,019 104,382 54 37.29%
SMOKEY JOE'S CAFE
(VIRGINIA)
$14,384,937 $276,633 $45
$75
318,846 504,192 416 63.24%
IT AIN'T NOTHIN' BUT THE BLUES
(AMBASSADOR)
$6,471,407 $184,897 $40
$75
163,848 302,145 274 53.92%
TOTAL $573,234,574 $322,294 $51.11
$78.32
11,216,727 14,300,473 11188 78.44%


Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source:
The Broadway League..

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