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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE ROAD TO MECCA (AMERICAN AIRLINES) |
$172,179 | $86,090 | $37 $117 |
4,679 | 7,997 | 11 | 58.85% |
|
WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN (BELASCO) |
$377,877 | $377,877 | $60 $125 |
6,253 | 7,760 | 8 | 80.60% |
|
BRIEF ENCOUNTER (STUDIO 54) |
$411,174 | $411,174 | $60 $127 |
6,867 | 8,016 | 8 | 85.70% |
|
DONNY AND MARIE: A BROADWAY CHRISTMAS (MARQUIS) |
$431,986 | $431,986 | $111 $250 |
3,902 | 4,908 | 3 | 79.50% |
|
HIGH (BOOTH) |
$449,955 | $89,991 | $26 $250 |
18,112 | 28,080 | 36 | 64.22% |
|
A FREE MAN OF COLOR (VIVIAN BEAUMONT) |
$522,874 | $261,437 | $53 $115 |
9,945 | 16,688 | 16 | 59.60% |
|
LA BETE (MUSIC BOX) |
$644,222 | $322,111 | $65 $300 |
9,928 | 17,119 | 17 | 58.55% |
|
BLOODY BLOODY ANDREW JACKSON (JACOBS) |
$697,839 | $697,839 | $85 $190 |
8,237 | 8,240 | 8 | 100.00% |
|
LYSISTRATA JONES (WALTER KERR) |
$809,896 | $115,699 | $30 $199 |
28,646 | 44,415 | 47 | 68.33% |
|
PORGY AND BESS (RICHARD RODGERS) |
$964,604 | $482,302 | $106 $225 |
9,475 | 12,141 | 9 | 84.10% |
|
THE PEE-WEE HERMAN SHOW (STEPHEN SONDHEIM) |
$993,845 | $993,845 | $114 $225 |
8,715 | 9,495 | 9 | 91.80% |
|
FELA! (EUGENE O'NEILL) |
$997,714 | $997,714 | $105 $225 |
9,493 | 9,270 | 9 | 102.40% |
|
KATHY GRIFFIN WANTS A TONY (BELASCO) |
$1,021,880 | $510,940 | $106 $225 |
9,934 | 10,290 | 10 | 97.20% |
|
PROMISES PROMISES (BROADWAY) |
$1,336,579 | $1,336,579 | $111 $250 |
12,079 | 13,976 | 8 | 86.40% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
ELF (AL HIRSCHFELD) |
$1,344,993 | $1,344,993 | $141 $352 |
9,552 | 9,968 | 7 | 95.80% |
|
A LITTLE NIGHT MUSIC (WALTER KERR) |
$1,365,408 | $682,704 | $97 $297 |
14,007 | 14,896 | 16 | 94.05% |
|
West Side Story 2009-2011 (PALACE) |
$1,403,667 | $1,403,667 | $108 $300 |
13,040 | 13,576 | 8 | 96.10% |
|
NEXT TO NORMAL (BOOTH) |
$1,440,448 | $480,149 | $79 $200 |
18,150 | 18,528 | 24 | 97.97% |
|
STICK FLY (CORT) |
$1,526,577 | $254,430 | $49 $250 |
31,320 | 48,555 | 45 | 65.05% |
|
COLIN QUINN: LONG STORY SHORT (HELEN HAYES) |
$1,832,377 | $183,238 | $60 $180 |
30,292 | 46,960 | 80 | 64.50% |
|
TIME STANDS STILL (CORT) |
$2,047,055 | $409,411 | $68 $250 |
30,189 | 43,160 | 40 | 69.88% |
|
IN THE HEIGHTS (RICHARD RODGERS) |
$2,134,178 | $1,067,089 | $101 $300 |
21,192 | 21,504 | 16 | 98.55% |
|
PRIVATE LIVES 2011 (MUSIC BOX) |
$2,328,466 | $291,058 | $64 $175 |
36,814 | 55,384 | 56 | 68.38% |
|
AN EVENING WITH PATTI LUPONE AND MANDY PATINKIN (BARRYMORE) |
$2,366,234 | $394,372 | $87 $250 |
27,403 | 44,436 | 42 | 61.98% |
|
THE PEOPLE IN THE PICTURE (STUDIO 54) |
$2,469,422 | $205,785 | $44 $122 |
56,633 | 89,730 | 90 | 63.15% |
|
BONNIE AND CLYDE (SCHOENFELD) |
$2,751,166 | $343,896 | $57 $225 |
48,891 | 63,623 | 61 | 77.22% |
|
BORN YESTERDAY (CORT) |
$2,792,677 | $214,821 | $49 $225 |
58,288 | 108,979 | 101 | 53.70% |
|
CHINGLISH (LONGACRE) |
$2,896,266 | $263,297 | $60 $250 |
49,280 | 93,699 | 87 | 52.46% |
|
MAN AND BOY (AMERICAN AIRLINES) |
$3,095,607 | $257,967 | $57 $122 |
53,701 | 66,976 | 92 | 79.61% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
SEMINAR (GOLDEN) |
$3,127,098 | $347,455 | $72 $198 |
43,169 | 52,260 | 65 | 82.50% |
|
VENUS IN FUR (FRIEDMAN) |
$3,214,825 | $321,482 | $68 $131 |
46,409 | 50,050 | 77 | 92.42% |
|
MASTER CLASS (FRIEDMAN) |
$3,244,777 | $270,398 | $61 $127 |
52,956 | 59,829 | 93 | 88.64% |
|
HAIR (ST. JAMES) |
$3,453,758 | $345,376 | $50 $197 |
69,713 | 135,486 | 78 | 51.38% |
|
GODSPELL (CIRCLE IN THE SQUARE) |
$3,541,401 | $321,946 | $71 $199 |
51,054 | 62,811 | 85 | 81.28% |
|
ON A CLEAR DAY YOU CAN SEE FOREVER (ST. JAMES) |
$4,135,166 | $590,738 | $88 $302 |
48,248 | 61,515 | 45 | 79.99% |
|
THE NORMAL HEART (GOLDEN) |
$4,237,705 | $353,142 | $61 $198 |
67,970 | 77,184 | 96 | 88.07% |
|
WONDERLAND (MARQUIS) |
$4,438,971 | $554,871 | $52 $200 |
84,646 | 101,556 | 63 | 83.43% |
|
ARCADIA (ETHEL BARRYMORE) |
$4,881,785 | $287,164 | $63 $225 |
78,061 | 132,480 | 128 | 60.71% |
|
OTHER DESERT CITIES (BOOTH) |
$5,357,158 | $487,014 | $89 $115 |
60,717 | 65,446 | 86 | 92.88% |
|
THE MERCHANT OF VENICE (BROADHURST) |
$5,615,039 | $1,123,008 | $137 $300 |
41,021 | 40,320 | 35 | 101.74% |
|
THE HOUSE OF BLUE LEAVES (WALTER KERR) |
$5,707,721 | $475,643 | $76 $275 |
74,693 | 87,513 | 93 | 85.73% |
|
LOMBARDI (CIRCLE IN THE SQUARE) |
$5,836,705 | $277,938 | $66 $200 |
86,870 | 132,720 | 168 | 65.46% |
|
GOOD PEOPLE (FRIEDMAN) |
$5,925,428 | $370,339 | $73 $130 |
81,075 | 83,200 | 128 | 97.46% |
|
DRIVING MISS DAISY (GOLDEN) |
$6,037,050 | $402,470 | $88 $300 |
68,069 | 88,440 | 110 | 77.05% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
GHETTO KLOWN (LYCEUM) |
$6,179,540 | $308,977 | $73 $225 |
84,440 | 110,280 | 120 | 76.57% |
|
LA CAGE AUX FOLLES 2010-2011 (LONGACRE) |
$7,596,528 | $422,029 | $75 $250 |
100,528 | 153,265 | 145 | 65.52% |
|
THE IMPORTANCE OF BEING EARNEST (AMERICAN AIRLINES) |
$7,778,281 | $299,165 | $66 $127 |
117,467 | 153,920 | 208 | 76.32% |
|
BENGAL TIGER AT THE BAGDHAD ZOO (RICHARD RODGERS) |
$7,889,821 | $464,107 | $82 $300 |
97,721 | 177,636 | 131 | 55.98% |
|
JERUSALEM (MUSIC BOX) |
$8,004,618 | $381,172 | $67 $225 |
118,970 | 161,594 | 162 | 73.60% |
|
RELATIVELY SPEAKING (BROOKS ATKINSON) |
$8,249,366 | $589,240 | $87 $225 |
94,394 | 118,860 | 111 | 79.38% |
|
THE MOUNTAINTOP (JACOBS) |
$8,290,243 | $592,160 | $88 $300 |
94,098 | 115,020 | 108 | 81.86% |
|
THAT CHAMPIONSHIP SEASON (JACOBS) |
$8,443,019 | $527,689 | $85 $225 |
99,407 | 133,875 | 125 | 74.61% |
|
BABY IT'S YOU! (BROADHURST) |
$9,111,694 | $379,654 | $57 $175 |
159,952 | 207,225 | 181 | 77.58% |
|
MILLION DOLLAR QUARTET (NEDERLANDER) |
$9,255,158 | $385,632 | $71 $250 |
129,638 | 234,302 | 193 | 55.25% |
|
THE MOTHERF**KER WITH THE HAT (SCHOENFELD) |
$10,451,323 | $580,629 | $81 $275 |
130,240 | 149,940 | 140 | 86.40% |
|
RAIN: A TRIBUTE TO THE BEATLES ON BROADWAY (NEIL SIMON) |
$11,835,209 | $422,686 | $62 $225 |
181,890 | 252,812 | 229 | 71.06% |
|
HUGH JACKMAN - BACK ON BROADWAY (BROADHURST) |
$12,578,028 | $1,397,559 | $152 $350 |
82,618 | 82,320 | 70 | 100.32% |
|
AMERICAN IDIOT (ST. JAMES) |
$13,740,765 | $808,280 | $79 $250 |
168,317 | 234,133 | 137 | 71.78% |
|
ROCK OF AGES (BROOKS ATKINSON) |
$15,193,658 | $361,754 | $86 $248 |
176,103 | 199,014 | 330 | 88.20% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
FOLLIES (MARQUIS) |
$16,215,292 | $772,157 | $92 $275 |
178,745 | 252,606 | 158 | 72.10% |
|
CATCH ME IF YOU CAN (NEIL SIMON) |
$16,863,570 | $648,599 | $70 $200 |
242,671 | 281,556 | 198 | 86.15% |
|
CHICAGO (AMBASSADOR) |
$27,787,471 | $534,374 | $81 $185 |
342,673 | 444,960 | 412 | 76.92% |
|
SISTER ACT (BROADWAY) |
$28,265,017 | $706,625 | $72 $200 |
390,727 | 506,118 | 308 | 77.99% |
|
ANYTHING GOES (STEPHEN SONDHEIM) |
$30,852,059 | $734,573 | $96 $250 |
320,379 | 336,528 | 328 | 94.97% |
|
PRISCILLA QUEEN OF THE DESERT (PALACE) |
$32,972,666 | $766,806 | $82 $200 |
405,251 | 574,273 | 340 | 70.41% |
|
THE ADDAMS FAMILY (LUNT-FONTANNE) |
$37,189,988 | $715,192 | $79 $300 |
468,256 | 628,866 | 414 | 74.46% |
|
WAR HORSE (VIVIAN BEAUMONT) |
$37,460,577 | $913,673 | $109 $135 |
343,890 | 345,249 | 323 | 99.60% |
|
MEMPHIS (SHUBERT) |
$37,991,369 | $730,603 | $78 $250 |
486,405 | 605,640 | 412 | 80.19% |
|
MAMMA MIA! (WINTER GARDEN) |
$40,153,800 | $772,188 | $82 $200 |
484,437 | 621,670 | 415 | 77.89% |
|
HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING (AL HIRSCHFELD) |
$42,863,016 | $974,159 | $97 $402 |
445,249 | 477,040 | 335 | 93.60% |
|
BILLY ELLIOT: THE MUSICAL (IMPERIAL) |
$43,286,735 | $832,437 | $84 $250 |
510,546 | 585,452 | 412 | 87.09% |
|
THE PHANTOM OF THE OPERA (MAJESTIC) |
$44,597,308 | $857,641 | $79 $200 |
561,592 | 668,130 | 414 | 84.03% |
|
MARY POPPINS (NEW AMSTERDAM) |
$45,349,901 | $872,113 | $77 $200 |
582,923 | 738,567 | 411 | 78.99% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$51,130,154 | $1,162,049 | $136 $477 |
371,917 | 363,740 | 341 | 102.15% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
JERSEY BOYS (AUGUST WILSON) |
$51,995,523 | $999,914 | $109 $350 |
477,031 | 507,164 | 413 | 94.03% |
|
SPIDER-MAN TURN OFF THE DARK (FOXWOODS) |
$70,887,787 | $1,446,690 | $104 $275 |
678,387 | 735,330 | 381 | 92.34% |
|
THE LION KING (MINSKOFF) |
$83,355,347 | $1,602,987 | $123 $250 |
673,455 | 692,601 | 413 | 97.24% |
|
WICKED (GERSHWIN) |
$86,697,712 | $1,667,264 | $118 $300 |
731,626 | 747,117 | 413 | 97.90% |
| TOTAL | $1,080,894,295 | $603,490 | $89.10 $230.33 |
12,131,631 | 14,765,982 | 11545 | 82.16% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
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