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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
1984 (HUDSON) |
$6,859,821 | $326,658 | $61 $249 |
112,232 | 158,110 | 163 | 71.40% |
|
A BRONX TALE THE MUSICAL (LONGACRE) |
$43,099,269 | $813,194 | $105 $297 |
408,507 | 443,700 | 425 | 92.03% |
|
A DOLL'S HOUSE, PART 2 (GOLDEN) |
$8,304,641 | $319,409 | $62 $297 |
127,990 | 156,550 | 202 | 81.65% |
|
ALADDIN (NEW AMSTERDAM) |
$81,950,172 | $1,546,230 | $113 $300 |
722,930 | 737,429 | 427 | 98.02% |
|
AMÉLIE (WALTER KERR) |
$5,307,176 | $482,471 | $82 $276 |
64,833 | 77,137 | 83 | 84.75% |
|
ANASTASIA (BROADHURST) |
$41,657,998 | $1,016,049 | $117 $350 |
353,935 | 369,189 | 323 | 95.93% |
|
BANDSTAND (JACOBS) |
$13,487,288 | $539,492 | $83 $227 |
162,335 | 196,270 | 190 | 83.18% |
|
BEAUTIFUL (STEPHEN SONDHEIM) |
$44,291,031 | $835,680 | $114 $249 |
386,853 | 436,050 | 425 | 88.63% |
|
CATS (NEIL SIMON) |
$43,443,279 | $819,685 | $90 $197 |
474,934 | 585,750 | 426 | 80.99% |
|
CHARLIE AND THE CHOCOLATE FACTORY (LUNT-FONTANNE) |
$41,167,936 | $1,029,198 | $99 $233 |
413,257 | 472,736 | 316 | 87.55% |
|
CHICAGO (AMBASSADOR) |
$34,161,831 | $644,563 | $87 $238 |
388,874 | 459,000 | 425 | 84.63% |
|
COME FROM AWAY (SCHOENFELD) |
$54,381,730 | $1,182,212 | $140 $447 |
385,217 | 378,652 | 362 | 101.72% |
|
DEAR EVAN HANSEN (MUSIC BOX) |
$77,133,867 | $1,455,356 | $182 $497 |
424,137 | 418,192 | 425 | 101.42% |
|
FALSETTOS (WALTER KERR) |
$1,373,188 | $686,594 | $101 $252 |
13,599 | 13,980 | 15 | 97.35% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
FARINELLI AND THE KING (BELASCO) |
$3,167,509 | $791,877 | $107 $297 |
29,786 | 30,479 | 29 | 97.73% |
|
FIDDLER ON THE ROOF (BROADWAY) |
$1,848,030 | $1,848,030 | $122 $225 |
15,101 | 15,363 | 9 | 98.30% |
|
GROUNDHOG DAY (AUGUST WILSON) |
$19,585,335 | $725,383 | $90 $375 |
217,221 | 254,196 | 207 | 85.85% |
|
HAMILTON (RICHARD RODGERS) |
$157,762,895 | $2,976,658 | $277 $998 |
569,726 | 560,104 | 424 | 101.75% |
|
HELLO, DOLLY! (SHUBERT) |
$85,749,796 | $2,041,662 | $188 $996 |
452,773 | 460,286 | 319 | 98.52% |
|
HOLIDAY INN (STUDIO 54) |
$1,806,201 | $602,067 | $83 $167 |
21,528 | 23,952 | 24 | 89.90% |
|
HOME FOR THE HOLIDAYS (AUGUST WILSON) |
$481,817 | $68,831 | $24 $397 |
20,609 | 65,084 | 53 | 33.00% |
|
IN TRANSIT (CIRCLE IN THE SQUARE) |
$4,431,814 | $276,988 | $62 $249 |
69,828 | 84,882 | 129 | 82.23% |
|
INDECENT (CORT) |
$6,159,154 | $342,175 | $57 $227 |
104,281 | 153,439 | 143 | 67.89% |
|
JERSEY BOYS (AUGUST WILSON) |
$4,463,388 | $1,487,796 | $146 $199 |
30,465 | 30,700 | 25 | 99.23% |
|
JITNEY (FRIEDMAN) |
$3,598,741 | $327,158 | $68 $179 |
52,176 | 53,950 | 83 | 96.62% |
|
JOHN LITHGOW: STORIES BY HEART (AMERICAN AIRLINES) |
$409,028 | $204,514 | $60 $139 |
6,751 | 7,400 | 10 | 90.65% |
|
JUNK (VIVIAN BEAUMONT) |
$6,118,073 | $470,621 | $77 $197 |
79,442 | 104,841 | 99 | 75.71% |
|
KINKY BOOTS (AL HIRSCHFELD) |
$49,639,308 | $936,591 | $98 $499 |
498,269 | 605,200 | 425 | 82.24% |
|
LATIN HISTORY FOR MORONS (STUDIO 54) |
$4,994,741 | $454,067 | $96 $249 |
52,727 | 68,272 | 68 | 78.00% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
LES LIAISONS DANGEREUSES (BOOTH) |
$838,389 | $419,194 | $90 $273 |
9,311 | 13,090 | 17 | 71.45% |
|
M. BUTTERFLY (CORT) |
$5,248,147 | $477,104 | $88 $247 |
60,311 | 85,064 | 80 | 72.96% |
|
MARVIN'S ROOM (AMERICAN AIRLINES) |
$2,366,005 | $197,167 | $50 $149 |
47,375 | 66,794 | 91 | 71.19% |
|
MATILDA (SHUBERT) |
$1,902,189 | $1,902,189 | $147 $250 |
12,960 | 12,888 | 9 | 100.60% |
|
METEOR SHOWER (BOOTH) |
$8,348,023 | $927,558 | $157 $348 |
53,303 | 53,406 | 69 | 99.83% |
|
MISS SAIGON (BROADWAY) |
$34,058,970 | $774,068 | $85 $248 |
400,138 | 554,434 | 348 | 71.98% |
|
NATASHA, PIERRE & THE GREAT COMET OF 1812 (IMPERIAL) |
$38,936,310 | $1,081,564 | $123 $267 |
317,134 | 327,744 | 288 | 96.76% |
|
OH, HELLO ON BROADWAY (LYCEUM) |
$3,185,193 | $796,298 | $106 $248 |
29,882 | 30,063 | 33 | 99.40% |
|
ON YOUR FEET! (MARQUIS) |
$24,843,120 | $730,680 | $85 $199 |
291,630 | 443,898 | 273 | 65.61% |
|
ONCE ON THIS ISLAND (CIRCLE IN THE SQUARE) |
$4,214,019 | $526,752 | $99 $250 |
42,486 | 43,152 | 62 | 98.61% |
|
OSLO (VIVIAN BEAUMONT) |
$10,875,255 | $639,721 | $88 $223 |
123,509 | 138,204 | 132 | 89.21% |
|
PARAMOUR (LYRIC) |
$15,835,326 | $989,708 | $82 $199 |
191,156 | 235,104 | 124 | 81.16% |
|
PRESENT LAUGHTER (ST. JAMES) |
$12,412,645 | $730,156 | $90 $350 |
137,882 | 180,213 | 129 | 77.28% |
|
PRINCE OF BROADWAY (FRIEDMAN) |
$4,171,311 | $320,870 | $77 $299 |
54,277 | 61,083 | 99 | 89.15% |
|
SCHOOL OF ROCK (WINTER GARDEN) |
$52,602,306 | $992,496 | $97 $248 |
534,696 | 650,321 | 427 | 82.11% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
SIGNIFICANT OTHER (BOOTH) |
$1,707,469 | $170,747 | $50 $223 |
35,075 | 60,238 | 79 | 58.55% |
|
SIX DEGREES OF SEPARATION (ETHEL BARRYMORE) |
$3,536,804 | $321,528 | $68 $197 |
52,936 | 88,368 | 84 | 60.85% |
|
SOMETHING ROTTEN! (ST. JAMES) |
$1,478,303 | $1,478,303 | $102 $277 |
14,533 | 15,003 | 9 | 96.90% |
|
SPONGEBOB SQUAREPANTS (PALACE) |
$6,453,579 | $806,697 | $75 $248 |
83,833 | 98,210 | 61 | 85.26% |
|
SPRINGSTEEN ON BROADWAY (WALTER KERR) |
$28,221,198 | $2,351,766 | $497 $850 |
56,760 | 56,760 | 60 | 100.00% |
|
SUNDAY IN THE PARK WITH GEORGE (HUDSON) |
$10,187,391 | $1,018,739 | $147 $499 |
68,902 | 69,104 | 72 | 99.75% |
|
SUNSET BOULEVARD (PALACE) |
$23,831,697 | $1,134,843 | $120 $297 |
198,663 | 243,455 | 145 | 81.61% |
|
SWEAT (STUDIO 54) |
$4,881,458 | $287,145 | $70 $209 |
70,653 | 85,011 | 129 | 83.53% |
|
THE BAND'S VISIT (ETHEL BARRYMORE) |
$12,626,629 | $971,279 | $126 $347 |
100,041 | 100,048 | 96 | 100.00% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$68,388,885 | $1,290,356 | $148 $478 |
462,834 | 454,116 | 426 | 101.91% |
|
THE CHILDREN (FRIEDMAN) |
$1,066,986 | $213,397 | $53 $199 |
20,219 | 24,700 | 38 | 81.86% |
|
THE COLOR PURPLE (JACOBS) |
$2,345,761 | $1,172,880 | $133 $193 |
17,724 | 17,867 | 17 | 99.35% |
|
THE ENCOUNTER (GOLDEN) |
$678,546 | $339,273 | $65 $223 |
10,473 | 12,835 | 17 | 81.70% |
|
THE FRONT PAGE (BROADHURST) |
$5,478,664 | $1,095,733 | $116 $373 |
47,046 | 48,298 | 41 | 97.42% |
|
THE GLASS MENAGERIE (BELASCO) |
$5,436,397 | $362,426 | $63 $273 |
85,878 | 115,188 | 116 | 74.99% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE HUMANS (SCHOENFELD) |
$2,250,687 | $750,229 | $94 $297 |
23,816 | 25,875 | 25 | 92.17% |
|
THE ILLUSIONISTS - TURN OF THE CENTURY (PALACE) |
$2,397,106 | $2,397,106 | $99 $247 |
24,305 | 28,747 | 17 | 84.50% |
|
THE LION KING (MINSKOFF) |
$110,274,359 | $2,080,648 | $153 $225 |
718,908 | 724,192 | 427 | 99.27% |
|
THE LITTLE FOXES (FRIEDMAN) |
$6,213,082 | $443,792 | $91 $179 |
68,189 | 70,850 | 109 | 96.16% |
|
THE PARISIAN WOMAN (HUDSON) |
$5,409,049 | $676,131 | $104 $260 |
52,405 | 59,597 | 61 | 88.39% |
|
THE PHANTOM OF THE OPERA (MAJESTIC) |
$55,518,166 | $1,047,513 | $92 $247 |
596,982 | 682,125 | 425 | 87.49% |
|
THE PLAY THAT GOES WRONG (LYCEUM) |
$16,310,350 | $379,310 | $71 $273 |
230,495 | 292,712 | 340 | 78.82% |
|
THE PRESENT (ETHEL BARRYMORE) |
$9,785,319 | $815,443 | $122 $323 |
79,833 | 100,035 | 95 | 80.01% |
|
THE PRICE (AMERICAN AIRLINES) |
$7,546,779 | $580,521 | $102 $250 |
73,903 | 74,000 | 100 | 99.85% |
|
THE TERMS OF MY SURRENDER (BELASCO) |
$4,209,550 | $323,812 | $59 $247 |
74,484 | 96,768 | 96 | 78.32% |
|
TIME AND THE CONWAYS (AMERICAN AIRLINES) |
$3,148,688 | $286,244 | $63 $149 |
49,620 | 60,922 | 83 | 81.39% |
|
WAITRESS (BROOKS ATKINSON) |
$49,337,325 | $930,893 | $119 $270 |
410,785 | 444,125 | 425 | 92.46% |
|
WAR PAINT (NEDERLANDER) |
$24,811,139 | $729,739 | $93 $248 |
264,985 | 314,192 | 269 | 84.40% |
|
WICKED (GERSHWIN) |
$97,150,113 | $1,833,021 | $124 $240 |
775,653 | 801,415 | 429 | 96.72% |
| TOTAL | $1,637,353,744 | $863,647 | $119.20 $296.42 |
13,736,299 | 15,581,107 | 12726 | 88.16% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
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