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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
Total Seats
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
GREY HOUSE (LYCEUM) |
$5,150,697 | $367,907 | $79 $257 |
67,246 | 92,864 | 103 | 74.34% |
|
HERE LIES LOVE (BROADWAY) |
$16,445,972 | $685,249 | $96 $347 |
172,782 | 199,000 | 183 | 87.39% |
|
SWEENEY TODD: THE DEMON BARBER OF FLEET STREET (LUNT-FONTANNE) |
$75,205,872 | $1,671,242 | $167 $549 |
448,902 | 459,886 | 307 | 97.67% |
|
ONCE UPON A ONE MORE TIME (MARQUIS) |
$9,603,117 | $564,889 | $80 $297 |
127,059 | 200,500 | 125 | 64.58% |
|
THE THANKSGIVING PLAY (HAYES) |
$2,481,039 | $206,753 | $63 $223 |
39,451 | 52,871 | 91 | 75.42% |
|
THE COTTAGE (HAYES) |
$5,218,259 | $306,956 | $87 $247 |
59,307 | 74,949 | 129 | 79.52% |
|
GOOD NIGHT, OSCAR (BELASCO) |
$15,498,852 | $738,041 | $135 $322 |
115,204 | 145,124 | 142 | 79.42% |
|
I NEED THAT (AMERICAN AIRLINES) |
$8,097,828 | $674,819 | $127 $323 |
63,873 | 65,860 | 89 | 96.85% |
|
BAD CINDERELLA (IMPERIAL) |
$8,107,113 | $506,695 | $66 $297 |
126,305 | 164,964 | 118 | 78.09% |
|
MELISSA ETHERIDGE: MY WINDOW (CIRCLE IN THE SQUARE) |
$2,357,783 | $235,778 | $97 $350 |
24,533 | 34,122 | 47 | 72.05% |
|
PRAYER FOR THE FRENCH REPUBLIC (FRIEDMAN) |
$484,958 | $242,479 | $88 $279 |
5,527 | 6,370 | 10 | 86.75% |
|
GUTENBERG! THE MUSICAL! (JAMES EARL JONES) |
$14,493,476 | $905,842 | $122 $378 |
118,825 | 129,930 | 122 | 91.62% |
|
PICTURES FROM HOME (STUDIO 54) |
$5,499,044 | $343,690 | $74 $297 |
74,672 | 93,612 | 116 | 79.81% |
|
NEW YORK, NEW YORK (ST. JAMES) |
$16,542,506 | $870,658 | $86 $320 |
194,600 | 236,597 | 143 | 83.09% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
JUST FOR US (HUDSON) |
$4,260,366 | $473,374 | $76 $179 |
54,272 | 58,246 | 64 | 92.60% |
|
FAT HAM (AMERICAN AIRLINES) |
$5,508,445 | $367,230 | $74 $247 |
74,011 | 81,664 | 116 | 90.78% |
|
SUMMER, 1976 (FRIEDMAN) |
$4,559,622 | $414,511 | $97 $319 |
46,940 | 52,871 | 83 | 88.76% |
|
JAJA'S AFRICAN HAIR BRAIDING (FRIEDMAN) |
$2,984,564 | $298,456 | $62 $276 |
47,328 | 49,433 | 77 | 95.80% |
|
BOB FOSSE'S DANCIN' (MUSIC BOX) |
$5,744,416 | $522,220 | $96 $297 |
60,167 | 81,098 | 82 | 74.99% |
|
APPROPRIATE (HAYES) |
$2,804,490 | $560,898 | $129 $347 |
21,785 | 22,659 | 39 | 96.20% |
|
PARADE (JACOBS) |
$27,085,216 | $1,128,551 | $143 $497 |
188,903 | 193,800 | 190 | 97.43% |
|
CAMELOT (VIVIAN BEAUMONT) |
$15,197,956 | $759,898 | $108 $249 |
140,373 | 161,238 | 154 | 87.24% |
|
THE COLLABORATION (FRIEDMAN) |
$2,130,503 | $304,358 | $76 $279 |
27,785 | 34,398 | 54 | 80.70% |
|
BETWEEN RIVERSIDE AND CRAZY (HAYES) |
$2,612,432 | $326,554 | $79 $197 |
32,749 | 34,740 | 60 | 94.02% |
|
THE SHARK IS BROKEN (GOLDEN) |
$4,495,731 | $264,455 | $59 $227 |
77,509 | 107,468 | 134 | 72.41% |
|
LIFE OF PI (SCHOENFELD) |
$10,063,408 | $503,170 | $79 $277 |
127,631 | 152,010 | 155 | 84.33% |
|
1776 (AMERICAN AIRLINES) |
$687,649 | $343,824 | $68 $248 |
10,089 | 10,845 | 15 | 93.25% |
|
PETER PAN GOES WRONG (ETHEL BARRYMORE) |
$11,049,438 | $581,549 | $91 $257 |
120,207 | 156,087 | 149 | 77.09% |
|
PRIMA FACIE (GOLDEN) |
$11,946,470 | $995,539 | $159 $397 |
75,032 | 76,992 | 96 | 97.47% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
MERRILY WE ROLL ALONG (HUDSON) |
$26,597,975 | $1,773,198 | $237 $649 |
112,056 | 112,056 | 116 | 100.00% |
|
SHUCKED (NEDERLANDER) |
$30,246,187 | $703,400 | $85 $299 |
356,275 | 396,969 | 339 | 89.89% |
|
HOW TO DANCE IN OHIO (BELASCO) |
$2,457,801 | $351,114 | $64 $273 |
38,728 | 51,428 | 52 | 75.37% |
|
BACK TO THE FUTURE: THE MUSICAL (WINTER GARDEN) |
$34,263,128 | $1,269,005 | $120 $397 |
287,184 | 307,864 | 208 | 93.51% |
|
PURLIE VICTORIOUS: A NON-CONFEDERATE ROMP THROUGH THE COTTON PATCH (MUSIC BOX) |
$8,349,400 | $491,141 | $98 $297 |
85,791 | 135,695 | 135 | 63.20% |
|
EL MAGO POP (ETHEL BARRYMORE) |
$3,341,826 | $1,670,913 | $165 $350 |
18,108 | 19,342 | 19 | 92.00% |
|
HARMONY (ETHEL BARRYMORE) |
$6,016,154 | $546,923 | $99 $297 |
61,448 | 86,352 | 84 | 71.45% |
|
KIMBERLY AKIMBO (BOOTH) |
$30,339,634 | $572,446 | $104 $277 |
291,668 | 326,979 | 423 | 89.22% |
|
TOPDOG / UNDERDOG (GOLDEN) |
$1,319,544 | $439,848 | $90 $297 |
14,589 | 19,248 | 24 | 75.80% |
|
A DOLL'S HOUSE (HUDSON) |
$14,258,521 | $838,737 | $118 $299 |
120,540 | 126,764 | 134 | 95.14% |
|
A STRANGE LOOP (LYCEUM) |
$2,181,117 | $727,039 | $117 $308 |
18,584 | 19,152 | 21 | 96.93% |
|
DEATH OF A SALESMAN (HUDSON) |
$2,255,526 | $751,842 | $104 $299 |
21,644 | 23,400 | 24 | 92.50% |
|
JONAS BROTHERS ON BROADWAY (MARQUIS) |
$1,556,128 | $1,556,128 | $192 $299 |
8,090 | 8,090 | 5 | 100.00% |
|
ALMOST FAMOUS (JACOBS) |
$1,941,154 | $970,577 | $126 $297 |
15,382 | 16,368 | 16 | 94.00% |
|
SIX (LENA HORNE) |
$53,429,231 | $1,008,099 | $129 $499 |
411,835 | 438,175 | 425 | 93.97% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
HADESTOWN (WALTER KERR) |
$39,935,026 | $753,491 | $105 $384 |
377,599 | 389,150 | 425 | 97.01% |
|
THE SIGN IN SIDNEY BRUSTEIN'S WINDOW (JAMES EARL JONES) |
$5,297,888 | $529,789 | $84 $337 |
62,985 | 85,520 | 80 | 73.65% |
|
MIKE BIRBIGLIA: THE OLD MAN & THE POOL (VIVIAN BEAUMONT) |
$2,035,946 | $678,648 | $85 $397 |
23,872 | 25,896 | 24 | 92.17% |
|
& JULIET (STEPHEN SONDHEIM) |
$61,445,732 | $1,159,353 | $146 $397 |
420,843 | 437,076 | 426 | 96.26% |
|
THE PIANO LESSON (ETHEL BARRYMORE) |
$5,403,618 | $1,080,724 | $135 $348 |
39,986 | 42,763 | 41 | 93.48% |
|
TAKE ME OUT (SCHOENFELD) |
$3,388,134 | $564,689 | $86 $317 |
39,255 | 51,989 | 49 | 75.70% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$53,767,485 | $1,014,481 | $123 $477 |
436,047 | 453,050 | 425 | 96.24% |
|
OHIO STATE MURDERS (JAMES EARL JONES) |
$1,315,110 | $438,370 | $72 $223 |
17,862 | 26,750 | 25 | 67.50% |
|
LEOPOLDSTADT (LONGACRE) |
$18,203,093 | $674,189 | $111 $448 |
161,591 | 233,275 | 217 | 69.22% |
|
CHICAGO (AMBASSADOR) |
$38,983,944 | $735,546 | $99 $273 |
392,154 | 457,920 | 424 | 85.60% |
|
SPAMALOT (ST. JAMES) |
$8,374,244 | $930,472 | $87 $362 |
95,284 | 114,057 | 69 | 83.82% |
|
A BEAUTIFUL NOISE, THE NEIL DIAMOND MUSICAL (BROADHURST) |
$48,957,110 | $923,719 | $138 $348 |
353,566 | 489,768 | 425 | 72.12% |
|
HAMILTON (RICHARD RODGERS) |
$101,996,254 | $1,924,458 | $181 $549 |
563,171 | 560,052 | 423 | 100.55% |
|
A CHRISTMAS CAROL (NEDERLANDER) |
$522,424 | $522,424 | $90 $229 |
5,815 | 10,665 | 9 | 54.50% |
|
FUNNY GIRL (AUGUST WILSON) |
$59,001,707 | $1,638,936 | $187 $799 |
311,462 | 352,291 | 289 | 88.39% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
MJ THE MUSICAL (NEIL SIMON) |
$87,438,804 | $1,649,789 | $153 $399 |
568,989 | 589,475 | 425 | 96.52% |
|
MOULIN ROUGE! THE MUSICAL (AL HIRSCHFELD) |
$70,699,268 | $1,333,948 | $130 $699 |
542,289 | 552,500 | 425 | 98.15% |
|
HARRY POTTER AND THE CURSED CHILD (LYRIC) |
$73,673,730 | $1,390,070 | $120 $449 |
611,396 | 685,762 | 423 | 89.14% |
|
SOME LIKE IT HOT (SHUBERT) |
$46,910,371 | $885,101 | $99 $297 |
470,684 | 615,400 | 425 | 76.47% |
|
THE MUSIC MAN (WINTER GARDEN) |
$10,706,844 | $3,568,948 | $278 $878 |
38,522 | 38,125 | 25 | 101.03% |
|
BEETLEJUICE (MARQUIS) |
$4,609,031 | $2,304,516 | $168 $249 |
27,481 | 27,234 | 17 | 100.90% |
|
THE PHANTOM OF THE OPERA (MAJESTIC) |
$44,063,716 | $2,753,982 | $211 $1498 |
209,357 | 207,045 | 129 | 101.12% |
|
INTO THE WOODS (ST. JAMES) |
$3,389,501 | $1,694,751 | $133 $399 |
25,454 | 28,343 | 17 | 89.60% |
|
THE LION KING (MINSKOFF) |
$120,308,159 | $2,269,965 | $170 $599 |
703,292 | 727,584 | 429 | 96.66% |
|
ALADDIN (NEW AMSTERDAM) |
$77,867,087 | $1,469,190 | $110 $326 |
705,546 | 737,429 | 427 | 95.65% |
|
WICKED (GERSHWIN) |
$101,004,714 | $1,905,749 | $131 $275 |
763,981 | 793,790 | 428 | 96.14% |
| TOTAL | $1,604,169,486 | $923,304 | $127.58 $369.58 |
12,573,472 | 14,050,989 | 11739 | 89.48% |
Total Seats
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
League..
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