Jennifer Perry - Page 13

The production deserves an 'A' for effort.

A heartfelt tribute to a great composer, one has to admire the musicianship on display at this concert.

With the weekly cabaret series' second anniversary on the horizon, DC BroadwayWorld chatted with Don Michael Mendoza and Regie Cabico about the cabaret's roots, what makes it unique, and their expectations for the future.

This has been a very strong season for Studio and this explosive production is no exception.

In advance of an upcoming, highly anticipated US and European tour and following Pentatonix's latest album release, PTX member Mitch Grassi kindly answered some questions via email from DC BroadwayWorld on behalf of the group. We discussed where PTX has been, how it does what it does, and what comes next.

No Rules' latest quirky offering is what we've perhaps come to expect from the company that continues to offer the unexpected. And that's more or less a good thing.

Whether massive festivals, unique productions, or simply an amazing take on a classic we all know well, the DC arts community rose to the challenge this year and offered something pretty great for everyone.

Fun for the whole family, this is a solid offering by the Washington National Opera.

Are you ready for something unique this holiday season? This tour may be something to check out.

'The Story Tour' is coming to the Washington DC Metro Area this week. BroadwayWorld DC interviews lyricist and performer Nichole Nordeman about the ongoing tour, what inspires her music, and more.

Patina Miller shared the joy of performing at Kennedy Center and then some!

There's something rather unique about having the opportunity to experience the eclectic nature of the American music scene in a matter of three days.

This twist on a classic holiday song, provides a fun-filled time for children.

Solid acting of an ultimately compelling script, with adequate direction from Hub's Artistic Director Helen Pafumi, and several nice design elements make this production worthy of some notice.

Although Capital Fringe's FallFRINGE welcomes back several shows that proved popular with summer audiences, it also gives Fringegoers a chance to see some new selections. Two of these new selections, Keegan Cassady's The Immortal Jellyfish with direction by Kristen Pilgrim, and Sheldon Scott's solo piece Shrimp and Griots with direction by Nancy Camp, tackle issues that are likely to resonate well with the socially-conscious theatergoing community in our fair city. Although both budding writers should be commended for taking a chance and putting their work out there, one show unfortunately shows much more promise than the other.

I'd venture to say that this is one of the strongest new plays I've seen at Woolly in recent memory.

Passion ignited at Strathmore this week.

It's all in good fun and it's pretty fantastic.

This piece shows promise, but more work is required to make it something special.

Stellar acting is one reason to see the show even if the overall script is problematic.