BWW Review: MEN ON BOATS at Unicorn TheatreSeptember 22, 2017Kicking off the Unicorn Theatre's 44th season is 'Men on Boats' by Jaclyn Bauhaus (in cooperation with the UMKC advanced MFA program). 'Men on Boats' is an interesting and mostly accurate exploration of John Wesley Powell's 1869 exploration of the Colorado River north of and into the Grand Canyon.
BWW Review: GREY GARDENS at The Barn Players in Kansas CitySeptember 18, 2017'Grey Gardens,' the 2007 character piece that originally featured a bravura turn and a Best Actress in a Musical Tony for Christine Ebersole, is the current, ambitious, fall offering from the Barn Players Community Theater in Mission through October 1. 'Grey Gardens' tells the story of a Mother and Daughter who struggle through a steep descent from American Aristocracy to poverty and health department threats of eviction from their Long Island mansion. It is a story we may never have heard except for that the Mother in our story was also Aunt to the late Jacqueline Bouvier Kennedy Onassis.
BWW Review: MOTOWN THE MUSICAL at Starlight TheatreAugust 23, 20172013's 'Motown, The Musical' opened Tuesday night for a week's run through August 27 at Starlight Theatre inside Swope Park to a responsive, handclapping, music-swaying, delighted audience. 'Motown' is what old films might call a biopic with music. It tells the story of 'Motown' founder and owner Berry Gordy Junior and his business and personal journey through popular music based in the black experience of mid-20th Century Detroit Michigan.
BWW Review: BREAKNECK JULIUS CAESAR at 2017 KC Fringe FestivalJuly 28, 2017Holding an audience on a stage by yourself for a whole hour is no small task, but it is one accomplished by Buffalo Grove Illinois' Tim Mooney in his remarkably cogent performance of 'Breakneck Julius Caesar' at the Unicorn Theatre's Jerome Stage as his contribution to the 2017 Fringe. Tim Mooney is a repeat offender at Fringe and he is always excellent.
BWW Review: YIDDISH WITH DICK AND JANE at 2017 KC Fringe FestivalJuly 26, 2017As part of the 2017 KC Fringe, 'Yiddish With Dick And Jane' is worth seeing at the Arts Asylum close to downtown. Although just about anyone can enjoy this one, it says something about age when one realizes his own education falls after the McGuffey Reader period and smack in the middle of 'Reading with Dick and Jane' years.
BWW Review: SOMETHING ROTTEN at Starlight TheatreJuly 26, 2017Dust off your willing suspension of disbelief. Starlight Theatre transforms into Elizabethan London in the year 1595. The play is 'Something Rotten.' William Shakespeare has not authored his 38 famous plays and 150 sonnets. By masquerading as patron to the struggling Bottom Brothers from Cornwall, the Bard has purloined their ideas and most of their dialog lock, stock, and couplet.
BWW Feature: KANSAS CITY FRINGE FESTIVAL at All OverJuly 25, 2017Now spreading like a virus with a lifespan of only ten days, the annual Kansas City Fringe Festival has once again exploded across Kansas City entertainment venues for the thirteenth July in a row. It is an entertainment stew chock full of short plays, musical performances, dance, comedy, storytellers, clowns, puppeteers, improv groups, one man shows, magicians, and visual artists.
BWW Review: MILLION DOLLAR QUARTET at New Theatre RestaurantJuly 14, 2017Imagine transitional rock superstars Elvis Presley, Johnny Cash, Carl Perkins, and Jerry Lee Lewis hanging out together for an impromptu recording session early in their musical careers. This is the unlikely, but mostly true tale told by the new production of the 2010 Broadway musical 'Million Dollar Quartet' now opened at the New Theatre Restaurant in Overland Park. This is one entertaining evening.
BWW Review: CRAZY FOR YOU at Theatre In The ParkJune 19, 2017'Crazy For You,' now playing at the Theatre In The Park in Shawnee Mission Park, is the theatrical equivalent of the 'Little Engine That Could.' It represents the fifth generation of musical shows based on George and Ira Gershwin's 1930 'Girl Crazy' score. Even though the original version kicked off the careers of Ethel Merman and Ginger Rogers, none of these shows remotely resembles any of its siblings.